12/31/21

2021 in review

personally, i had a pretty great year this year. my boyfriend moved in with my fiancx & i, i got to see my other partners... not as much as i’d like, but a non-zero amount, i got meds for my adhd which helped me get back into reading as a hobby (hence the list of favorite first reads included here), and i made even more progress with my transition!


obviously the ongoing pandemic and rapidly deteriorating political situation in my capitalist hellscape of a country was a dark specter hanging over everything, but i still have a lot to be thankful for this year, and i’m going to keep holding on to the things and people i love. i will never stop fighting for them.


🌑🌒🌓🌔🌕🌖🌗🌘🌑

movies


1. the matrix resurrections s-rank

2. my little pony: a new generation s-rank

3. aquaman a-rank

4. muppets haunted mansion a-rank

5. halloweentown a-rank

6. no time to die a-rank

7. dune (2021) a-rank


8. candyman (2021)


this is just an incredibly good horror movie. i’m genuinely kind of at a loss for what to even say about it. it has one of the best endings of any horror movie ever. it’s so fucking cathartic. a-rank


9. godzilla vs. kong (2021) a-rank

10. ghostbusters: afterlife a-rank


🌑🌒🌓🌔🌕🌖🌗🌘🌑

books


1. wild magic

by tamora pierce


oh my goddess.


tamora pierce has always been one of those authors who whenever her name came up i felt a vague tugging like i was missing out on something that would be a Really, Really Big Deal to me, so to have that confirmed in such an immediate, overpowering way upon reading my first book by her is stirring feelings i don’t quite have words for.


i have always wanted more fantasy (especially magic-focused fantasy) in my library, but the few times i’ve tried to get into fantasy i’ve been recommended epics with thick plots and paper-thin characters, and like... there’s a REASON i think lord of the rings makes much better movies than it does books, y’all! so to have something THIS exactly what i’m looking for fall into my lap is really something else.

project rewatch 2021 progress

now that my boyfriend moved in with us, he’s gonna join in too! yay!


if you’re just joining us, on our first anniversary my fiancx and i had a slumber party and we decided to each make a list of movies we watched over & over as kids so we could start watching them together. because we’re dorks.

12/27/21

the matrix resurrections (2021)

what if the kind of Love Conquers All story that i was always writing in my messy, earnest high school fanfiction (which should tell you that it’s important and meaningful to me in a way few kinds of narratives are) but set in the universe that taught me how to tell stories? written and directed by one of my favorite filmmakers/heroes? and afforded the weight of a hollywood budget?


i get why some people are disappointed. the score, which helped lift the trilogy to thunderous heights, and even a lot of the visuals are just kinda… not as special? not bad per se, but certainly not what you might expect from a matrix movie. gone are the highly choreographed fight scenes that push the limits of what we’re allowed to expect from fight scenes in hollywood blockbusters, which is doubtless extra disappointing considering how excited everyone was about getting a post-john wick keanu reeves back in the shades.


and yet… and yet.


i’ve heard grumbling about the fact that neo is rescued not because of some grand need for his return, but because bugs & friends… just kinda feel like it? and this so completely misses the point i just kind of don’t even know where to start? like, you really want to tell me it would’ve been better to have some incredibly overwrought, contrived need for neo rather than just… compassion? not wanting your hero to suffer endless torment forever when you can fucking do something about it?


how do you miss that point when it was neo’s kindness to a synthient child decades ago that made the formidable adult she now is willing to help him rescue trinity? his sacrifice that brought humans and synthients (including said synthient girl) together in peace? has it occurred to no one that heroes do the right thing because it’s the right thing?


it also feeds into neo returning to the fold of the human world, and discovering that far from receiving a hero’s welcome with parades he probably would’ve hated anyway, he’s… inconvenient. and that’s way more interesting to me than him getting dragged out kicking and screaming because he’s needed.


it also parallels his desire to save trinity being motivated by, you know, the fact that he fucking loves her. and bugs & sati & co. chomping at the bit to help because it’s the right thing to do.


speaking of which, bugs’ crew (and bugs herself) are a group of messy queer genderfucks, and i am only just now talking about that and am going to move on almost immediately because there is just too much else to talk about. HOW DOES THIS MOVIE EXIST???


the “neo’s main move is basically force push” thing, while a lot more valid of a complaint, actually fits perfectly with the aforementioned “embarrassing” fanfiction that to this day i defiantly refuse to be embarrassed by. on top of that, neo and trinity’s powers are fueled by proximity to each other. their love is so powerful that having them close together powers the entire fucking matrix, but if they get too close they’ll be too powerful and be a threat. and and and they’re forced into taking a leap of faith and trinity is the one who flies this time, reversing their dynamic and showing that she’s just as powerful as neo, making their status as true equals even more obvious (even though they were actually already there in all but superficial power level).


you guys… fuck. this movie caters so perfectly to 15-year-old me it’s almost kinda alarming?


the money shot of this movie is neo and trinity desperately reaching for each other while held back by hordes of armored cops, while the big bad shouts in panic to STOP THEM from touching each other because they’ll be too powerful if they’re united. and one breathtaking action scene later they’re kissing passionately in the real world and i fucking sobbed, y’all. i think i might’ve actually cried harder than i did when trinity died in revolutions, but they were resoundingly happy tears. that… doesn’t happen every day, okay?


and then they confront the analyst to let him know they’re gonna fucking remake the world with literal rainbows in the sky and i just. FUCK! this is exactly the movie i needed right now.


this movie is a godsdamned resounding vindication of the kind of storytelling i was doing as an adolescent, only better in every way. i cannot begin to properly convey how important this is to me. i’m not completely sure this won’t end up being my favorite film of all time after a suitable cooling off period.


and believe it or not, i have some even more personal reasons for loving this movie that i’m not sure it makes sense to talk about, but maybe i will on a subsequent viewing. who knows? all i know is i don’t think i’m gonna run out of things to talk about in this movie anytime soon. i’ve barely scratched the surface. i just needed to get all this out there right now because seriously damn. s-rank

12/19/21

the spider-man cinematic universe

spider-man (2002)


you simply do not get the unstoppable juggernaut of the modern superhero movie scene if it isn’t for sam raimi’s first two spider-man movies, but despite any surface-level similarities and causal relationships these movies could scarcely have less in common with the relentless marvel/disney engine spewing out three to four largely interchangeable movies a year.


these movies defined the way a generation saw peter parker and mary jane watson and all the other characters in their orbit, but if somebody tried to bring their own weirdness into the proceedings to this degree today they’d get edgar wrighted.


admittedly, i think edgar wright is severely overrated and that not enough people are talking about the fact that the man CANNOT WRITE WOMEN, but somehow i don’t think the studio that propped up joss whedon and took almost three phases to get to a female-led flick and fridged black widow gives a damn about that? pretty sure it was the whole wanting to make a movie that was recognizably his thing that was the sticking point. and, you know, in spite of the extremely famous studio interference in the third and final act, wow, these movies are so recognizably raimi’s.


these movies made me care about superhero movies. that passion couldn’t survive my increasing political education opening my eyes to the fact that the mcu-led modern superhero movie landscape is an evaporating layer of paint over the most blatant u.s. imperialist propaganda this side of radio free asia, but watching these really does take me back to a more innocent time.


it’s also impossible to really go back, though. and while that observation is often made wistfully or mournfully, that’s... very much not the place i’m coming from. because gods, i do not want to go back to not noticing that it’s pretty fucking weird that this movie wants you to sympathize with peter when after watching m.j. chased out of her front door by her drunk father’s shouted abuse, he trails after her and bemoans his inability to approach her and try to chat her up??? not to ask, you know, whoa, hey, are you okay??? but to ask her if she fucking wants to go on a date??? yeah. YEAH. do not want to be blind to that shit anymore, sorry.


look, much like edgar wright, sam raimi’s movies having their own personality doesn’t mean i always like the personality they have. his spider-man movies are the movies of his i mostly like, though. i never cared for the evil dead movies, and i didn’t like the few smaller horror movies of his i’ve seen either. i just... don’t really go in for gross-out horror? it’s never been my taste. but seeing the weirdness and quirkiness and blunt showiness of his style applied to something as clean and broadly entertaining as fucking spider-man??? yeah. YEAH. that’ll WORK!

12/6/21

a brother’s price by wen spencer

 i remembered being hella sad when i was done reading this book (especially after discovering there were no sequels), and, yeah, very much the case again now. i could keep following these characters and this world basically forever. i love them so much! beautiful, clever jerin. eldest whistler, ren, and halley giving us so many different flavors of badass! cullen being this world’s equivalent of a tomboy, but cleaning up so nicely.


the narrative voice is pretty straightforward but there’s something i really like about it? it’s so effortless to get sucked into. i love how protective everyone is of jerin. i love the setting. i love that this is just a dumb, wonderful romance with a side of palace intrigue and military swashbuckling. i love how the gender flip plays into all this.


most of all, i just love being able to, even briefly, live in a world where the expectation of amab people is that they’re pretty and soft and need to be protected and cherished. that you’re expected to be more nurturing, more gentle, more submissive. this book meant a lot to me when i read it early on in college. i was in the middle of questioning my gender identity and sexual orientation, so having something that played with gender the way this did as just a baked-in part of the setting was just so exactly what i needed. as i reread it now i do find myself at timmes wishing that it had been done differently. specifically i don’t like the idea that men had to be more scarce to sort of justify why society developed the way it did? and the society presented here does not seem to have any room in it for transgender and nonbinary individuals, or even amab gay people. (nor is there much room for lesbians, though lesbian sex does at least come up a few times.)


oh, and there’s the fact that everything is based on procreation. procreation is… not something i’ve ever been interested in. i’m ace, actually, so the whole scarcity of males and desperate need for the ones that exist to procreate would… really not work for me? so all the aforementioned is obviously not great for me in terms of wish fulfilment. but idk? even taking it all into account, at times this book is just… perfect. i just want to slip right into jerin’s shoes.


yeah, it isn’t a perfect fit for me, because in this fictional society boys are still expected to eventually be comfortable being called “men,” and… yeah. that one will never really work for me? i’ve tried being a cis boy, a trans girl, an enby, an enby boy… that last one has stuck alright, even if it at times has seemed ironic that i found my way back to some kind of boyhood, but one thing i have never at any point been comfortable with is the word “man”?


and before you start worrying, i get that in actuality, it will be better for everyone (including me) to fight for a more egalitarian society, and i’m certainly never going to advocate for a society like this one, but… still… having had such a hard time carving out a gendered space for myself that makes any kind of sense, and having to explain and justify it all the time… it’s hard to read something like this and not wish that i could just wake up in a world where my kind of boyhood is the default assumption.


(... on the other hand, i kind of love being neutered, and that is very much something that world wouldn’t let boys do. shrug.)


it’s a pity there wasn’t a sequel, and doesn’t seem to be any sign the author is considering one. aside from my aforementioned misgivings about it, i really want more books in this setting. or at least a similar setting. i’ve kind of scoured the internet for recommendations for similar books, and i’m gonna try reading a few that popped up in that search, but i’m not sure i’m gonna find anything that will quite hit this exact same spot.


there’s a flippant part of me that wants to say “maybe i’ll just write one!” but i’m not going to pretend for even a second that i could do so nearly as skillfully as wen spencer did. on top of all the wish fulfillment, this is just such a terrific read! i just really, really didn’t want it to end. s-rank

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