Showing posts with label queer media. Show all posts
Showing posts with label queer media. Show all posts

11/20/22

spooky movie season theme: werewolf!, part 2: gay werewolves

what up gay nerds!


okay well, this ended up extending well past what’s traditionally considered spooky season, but we’re still chugging along with the werewolf movies! and, y’know, i’m not exactly gonna complain about continuing our halloween vibes past halloween. especially considering the way my interest in werewolves has been kindled by what i’ve been watching and, especially, reading.


part 2 of this review series will focus on exactly what it says on the tin. obviously as a super gay monsterfucker, this is a category i was super looking forward to!


the one gaping hole in this is that, aside from a supporting character in allison moon’s lesbian werewolf books, there’s no trans representation. so if anyone has any trans werewolf book recommendations, i would love to hear them!


lunatic fringe (novel 2011)

by allison moon


ever since i found out the author of girl sex 101 (whose writing style i absolutely adore) also wrote fiction about lesbian werewolves, i kind of knew i was going to love this. i mean, come on. how could i not? and then i finally got around to reading it and, whoa hey check it out i totally loved it!

7/8/22

star trek: discovery, season 4

4x01 “kobayashi maru”


this episode had a lot to do and did all of it fantastically well.


it gave us our first full episode of captain burnham, and gave her a believable obstacle to overcome as she’s struggling to delegate and to let go. it updated us on the political situation within the federation and it didn’t just do that with lines of dialogue, we got to physically see starfleet academy reopen, discovery delivering dilithium to worlds that have been cut off from the federation, etc. so now we have the overall arc of what’s going on with the federation and starfleet over the next season.

6/5/22

star trek: discovery, season 3

3x01 “that hope is you, part 1”


michael’s cry of joy and relief when her sensors report plentiful organic life is so raw and so beautiful. i think it actually conveys the stakes of last season much better than the peril itself did, and it makes it so believable that michael and her discovery family were willing to do what they did.


michael being hopped up on truth drugs was fucking adorable, and her saying “i am done being reflexively supportive!” while still under their influence is such a fantastic bit of character writing.


the bulk of the episode juggles action and worldbuilding in a way that entertains and informs exceedingly well, and i really do enjoy all of it but besides michael’s aforementioned cathartic cry of joy, my favorite part of the episode is the ending. it is so, so clear how much the federation, and starfleet, mean to sahil.


the first time i saw this i was a bit guarded when it was clearly positioning michael to restore hope to the federation, because i was very worried it was going to do the same kind of exceptional hero, individualistic theming that made the first season feel so un-star trek, but rewatching it now that i know where it’s going i was able to relax and really enjoy what it meant to both of them to have that moment.

3/26/22

disney's meddling couldn't stop turning red from becoming my favorite pixar movie of all time

oh my gosh??? this is so good???


i’m struggling to think of the last pixar movie that was this good. i’m not sure any of them have been this good.


you know what? they haven’t. this is my favorite pixar movie! and it isn’t particularly close!


like, where do i even start? this movie is gorgeous. and it looks so different from any movie pixar has ever made before? it’s apparently somewhat autobiographical on director and co-writer domee shi’s part, and, you know, wow shocking that we get really great, original ideas when a studio doesn’t just keep giving the same three or four white guys the director’s chair and keep making sequels of all of their preexisting properties. i’m sure a certain mouse has a lot to do with those problems, but from what i hear lasseter’s departure has also opened a lot of doors so hopefully this is the kind of thing we can look forward to more of in the future!!


one… not-so-great representation note: apparently pixar had a ton of blatantly queer representation in this movie but disney cut basically all of it. coming on the heels of their refusal to condemn florida’s “don’t say gay” bill, it’s… just not a great look.


what survives is rather clear romantic tension between the protagonist mei and her tomboy friend ava, but that apparently wasn’t even the explicit relationship that was meant to be shown onscreen? there seems to be a lot of fan speculation (and possibly even confirmation from one of the film’s creative team) that priya was meant to explicitly have a crush on a goth girl side character. and then there’s tyler, who starts out as a bully but ends up showing up at the boy band concert and being embraced by the girls!


so, yeah, what we’re left with in the finished product of the movie is nothing more than queerbaiting, and that’s a damn shame. i would love to see what the filmmakers originally intended at some point. but like… i don’t know, guys, what did survive might be crumbs, but you can see enough of it that we were enthusiastically reacting to all the obvious gay stuff while watching the movie. it wasn’t until afterwards when i was doing some research that i found out that it had originally been much more explicitly gay and that all of it had been cut. sigh.


i’ve already hinted at it a bit, but the characters and their relationships are really the movie’s not-so-secret weapon. mei’s friend group is incredible, mei herself is a wonderful protagonist and it’s incredible seeing her balance the things that are important to her. and while this movie has come under fire from conservatives for encouraging children to rebel, what i love about it is that mei actually values both her family’s traditions and her desire to explore things outside of those traditions. and while her family is an obstacle at times, when the chips are down they’ve got her back!


oh, and, i love the role of the boy band in this! like, it feels very culturally authentic to my experience growing up in the 90s, and having them join in with the ceremony to help mei’s mother at the end was simultaneously funny and genuinely heartwarming.


wait how have i not talked about the elephant-sized red panda in the room.


i love, love, love that mei is so determined that her being basically a were-red panda is a good thing, and that she doesn’t want to let go of it like her family has been for literally centuries! and although she has to fight her family’s disapproval at first, as previously mentioned they eventually make space for her and the resolution to the film is harmony, not a zero sum game.


now release the gay cut so i can give this thing the full marks it deserves, disney you fucking cowards. a-rank


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3/4/22

roddenberry’s broken promise

in my recap of season 1 of star trek: the next generation, there was so much to talk about that i didn’t really touch on the chaos going on behind the scenes that made common descriptors like “troubled production” a massive understatement.


that chaos largely centered on one man: franchise creator and series executive producer gene roddenberry. i’ve written about my disillusionment with roddenberry and the mythology built up around him previously in my review of the tos era movies, but there’s plenty to talk about even when we limit the scope to his behavior in his two seasons as tng’s showrunner.


according to various members of the writing staff, roddenberry was notorious for aggressively rewriting other writers’ scripts multiple times, sometimes right up to and even during the filming of those episodes.1 he had difficulty recruiting writers, and pressured the writers he did have to accept wages below the minimums set by the writers guild of america.


on that last score, we’re not talking about just any writers (not that that should matter), we’re talking about the likes of “the trouble with tribbles” scribe david gerrold and the legendary d.c. fontana.2


but i think one particular aspect of the next generation’s “troubled” season 1 production deserves special attention, and that’s david gerrold’s rejected script “blood and fire.”

2/3/22

please play* get in the car, loser! immediately

the asterisk in the title is because i am a fake gamer enbyboy, so i didn’t actually play it. i watched one of my partners play it on discord.


the thing that appeals to me about most video games isn’t gameplay & optimizing all your stats and whatever, it’s story. i will always, always, always opt for whatever the easiest mode is, etc, so as to experience the story as painlessly as possible. by and large, that’s what draws me to video games, with the exception of some where the gameplay is so familiar it’s almost soothing (sonic, pokemon, dr. mario).


but i digress! get in the car, loser! is the latest game by indie game developer christine love. i’m a massive fan of her visual novel ladykiller in a bind, which is hella gay and one of the two primary romance plots is probably the most thorough and accurate meditation on the psychology of dom/sub relationships that i’ve ever seen in fiction. also it’s super hot and super emotionally satisfying, so uh yeah. it’s kind of one of my favorite games of all time.


get in the car, loser! is a much different game. for one thing the gameplay is clearly more complicated than “click on the dialogue option you want,” and there are no branching story paths. but it’s also telling a completely different kind of story. sadly, this one doesn’t feature extended explicit depictions of intense, loving bdsm scenes. but it does feature a ragtag group of queer girls (and one enby) on a quest to literally save the world, so that works too i guess.


the de facto protagonist of the game is sam, a black trans girl who is a formidable magic user and the party’s healer. she’s dragged into the adventure by grace, the gorgeous cis girl she’s crushing on who bullied her constantly. as one of the party’s two dps members grace wields the sword of fate and enough bravado to more than make up for sam’s meekness. then there’s angela, in the words of the game “an actual literal angel” who is the party’s other dps.


which, uh, just leaves the party’s tank. valentin. the blue-haired musclebound enby himbo who i totally don’t have a massive, embarrassing crush on ha ha haaaaa…. shut up. you’ll have a crush on them too when you play this game, trust me.


what it does have in common with ladykiller is that its writing is phenomenal. the protagonists are lovable, their group dynamic is so positive they like… bully each other? supportively? like, one character says something negative about themself, and another character immediately says “i will literally fight you!” everyone is so full of fighting spirit and so heroic in their own ways. this is the queer superhero adventure i’ve been waiting for.


despite its defiantly positive tone, it also isn’t afraid to go to some pretty dark places. the villains you’re fighting are just… well, they’re just nazis, guys. the metaphor is not subtle.


and they come at you with snot-nosed bullshit like “freedom of speech lol” and “why are you afraid of civilized debate” and just… they’re just the fucking worst? and there’s plenty of dialogue from them that is genuinely reprehensible, but this is like… a masterclass in how to depict these manbabies?


there’s no mistaking that they are just total garbage, they’re not glorified in any way–they’re shown to be the massive fucking weenies they are in real life–but the story doesn’t shy away from the fact that they can do very real harm.


the last act of the game includes an extremely thorough and explicit discussion of how to combat these fascist scumbags, and the conclusion everyone comes to is essentially “do whatever is effective in stopping them from hurting people while not falling into the trap of glorifying or enjoying violence.” it SUCKS that we have to fight these wastes of space, but not fighting them would suck a hell of a lot more, so there you go.


nor is all the serious stuff devoted to external conflict. you know what else sucks? depression. and there’s an entire act devoted to the trans girl main character having a depressive spiral and just extremely explicitly confronting all her insecurities and her insecurities about her insecurities because yeah we fucking have those.


but as important as all the serious stuff is, the real draw for me is still the incredibly wholesome party dynamic where everyone is flirting with each other and aggressively complimenting each other and just… being so authentically queer and amazing. it really felt like exactly the kinds of queer friend groups that actually form in real life, and you just… fucking NEVER get to see those in fiction.


i kind of selfishly hope christine love gets back into visual novels at some point (especially if they’re anything like ladykiller, heck!), but the fact that she considers herself a writer first and a game developer second is very apparent here, and honestly as long as she doesn’t skimp on the amazing writing i’ll look forward to whatever she does next.


(i mean, beyond the already-announced expansions for this game, which yes of course i’m looking forward to those.) s-rank

12/31/21

2021 in review

personally, i had a pretty great year this year. my boyfriend moved in with my fiancx & i, i got to see my other partners... not as much as i’d like, but a non-zero amount, i got meds for my adhd which helped me get back into reading as a hobby (hence the list of favorite first reads included here), and i made even more progress with my transition!


obviously the ongoing pandemic and rapidly deteriorating political situation in my capitalist hellscape of a country was a dark specter hanging over everything, but i still have a lot to be thankful for this year, and i’m going to keep holding on to the things and people i love. i will never stop fighting for them.


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movies


1. the matrix resurrections s-rank

2. my little pony: a new generation s-rank

3. aquaman a-rank

4. muppets haunted mansion a-rank

5. halloweentown a-rank

6. no time to die a-rank

7. dune (2021) a-rank


8. candyman (2021)


this is just an incredibly good horror movie. i’m genuinely kind of at a loss for what to even say about it. it has one of the best endings of any horror movie ever. it’s so fucking cathartic. a-rank


9. godzilla vs. kong (2021) a-rank

10. ghostbusters: afterlife a-rank


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books


1. wild magic

by tamora pierce


oh my goddess.


tamora pierce has always been one of those authors who whenever her name came up i felt a vague tugging like i was missing out on something that would be a Really, Really Big Deal to me, so to have that confirmed in such an immediate, overpowering way upon reading my first book by her is stirring feelings i don’t quite have words for.


i have always wanted more fantasy (especially magic-focused fantasy) in my library, but the few times i’ve tried to get into fantasy i’ve been recommended epics with thick plots and paper-thin characters, and like... there’s a REASON i think lord of the rings makes much better movies than it does books, y’all! so to have something THIS exactly what i’m looking for fall into my lap is really something else.

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